By Fred Gray

In Alfred Hitchcock’s To seize a Thief , a seashore hotel was once the environment for thievery and intrigue. Fred Astaire and Ginger Rogers tap-danced their method to popularity at a Brighton inn in The homosexual Divorcee . The beach hotel has constantly held a different fascination, a spot of containment and relaxation that has a distinct shape within the actual panorama: towering inns, shop-lined boardwalks, and sprawling shorelines. Fred grey delves into the historical past of beach structure right here in Designing the seashore , writing the wealthy and foreign tale of the seashore resort’s different constructions from the eighteenth century via at the present time. grey is not just within the actual constructions but additionally the cultural mores they represent—the “yearly holiday,” and our attitudes approximately rest. The coastal panorama has been reworked through this geography of leisure, and grey considers the actual and cultural shifts that happened while retailers, boardwalks, and lodges buried sand dunes and marshes underneath their beams. He examines the layout strategies that went into growing the varied constructions and areas inside a seashore lodge, giving complete recognition to ephemeral constructions corresponding to pavilions and summer time present retailers in addition to the trademark lodge constructions, fairgrounds, and open areas. Designing the beach additionally unearths how occasions corresponding to attractiveness pageants made beach lodges into websites of discussion over conflicted problems with sexuality and morality. Drawing on a various array of historic material—photographs, guidebooks, postcards, and posters—Fred grey deals a desirable account of the cultural and social symbolism of the beach lodge and its position within the sleek panorama. (20060721)

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Designing the Seaside: Architecture, Society and Nature

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Sunbathing was the heart of the naturism, although it also almost invariably involved bathing, swimming and playing in water. In Britain, Health and Efficiency – using the Sheltering from the sun: weather screens and parasols in use on Brighton’s West Pier, late 19th century. Postcard. Modernizing a 19th-century resort with a new architecture for the sun: 1930s St Leonards on Sea. strapline ‘the national sunbathing and health magazine’ – became an influential publicity vehicle for the movement.

An army of ‘collectors’ has passed over them, and ravaged every corner of them. 65 Young Gosse also bewailed the taming and artificial remodelling of the natural environment of the coast. Reflecting on his first childhood experience of the ‘uncouth majesty’ of the Devonshire sea and coast at Oddicombe, Torquay, in 1857, he commented how In these twentieth-century days, a careful municipality has studded the down with rustic seats and has shut out its dangers with railings, has cut a winding carriage-drive round the curves of the cove down to the shore, and has planted sausage-laurels at intervals in clearings made for that aesthetic purpose.

M. Lockley, writing in the propagandizing Britain and the Beast (1937), argued the need for radical solutions: Nothing but a dictatorship will save the English coast in our time . . 67 surrounded by sea, and permeate with ozone. 68 The transformation of Oddicombe and Sandbanks are local and historical examples of what by the twenty-first century was presented by the United Nations as an international issue. A 2001 un report identified the building of new resorts as a particular cause for worldwide concern: There are strong economic incentives to site hotels and other tourist facilities as near to attractive spots as possible, regardless of the aesthetic and environmental damage that may result.

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