By Cesar Antonio Molina, Manuel Borja-Villel, Yolanda Romero
What's the museum's function? What can be its features and actions in latest society? What different operational and organizational versions will be proposed to aid conquer the modernist place in which the museum, as a repository of creative essences, could make a common fact noticeable in an immanent method? to discuss those questions, the organization of up to date artwork administrators of Spain - ADACE - constituted as a discussion board for mirrored image and debate, held in Baeza a convention within which these chargeable for Spain's museums mirrored, including their overseas colleagues, in addition to artists and thinkers, on those issues in an idea-sharing consultation. the result of this assembly are released during this booklet. It good points interventions through Manuel Asensi, Mieke Bal, John Beverley, Manuel Borja-Villel, Benjamin Buchloh, Gustavo Buntinx, Jean-Francois Chevrier, Nuria Enguita Mayo, Javier Gonzalez de Durana, Beatriz Herraez, Paulo Herkenhoff, Martin Jay, Ana Longoni, Ute Meta Bauer, Simon Marchan, Antoni Muntadas, Juan de Nieves, Martha Rosler, Suely Rolnik, Yolanda Romero, Rene Scherer, Allan Sekula, Teresa Velazquez and Santos Zunzunegui.
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But do you think that the September 11 attacks remove power from the content of the Baader-Meinhof work? Martin Jay Well, I don’t know if we yet really know what September 11 means. The meaning is still exfoliating in very different ways. Probably there will be another September 11, another mega-event, another terrorist act, with nuclear, biological or chemical weapons, the probability is very high at least. We know of course, what happened in Spain, England and other places, but not on such a scale.
However, what we also have is a new crisis of the allegorical moment. I mean, as long as there is this balance between documentation of the events and the allegorical elevation of them. Thus, all those historic coronations, battle scenes and surrenders had powerful allegorical moments of meaning. In modern documentation the meaning is much less obvious, if it even exists at all. The meaning at times is very much in dispute. A recent example of this was the tapes of Rodney King, the beating of the black victim by the Los Angeles police officers in 1991: a real event, Rodney King being attacked by the law.
In this way what we have is an expansion of the democratic capacity to document. However, what we also have is a new crisis of the allegorical moment. I mean, as long as there is this balance between documentation of the events and the allegorical elevation of them. Thus, all those historic coronations, battle scenes and surrenders had powerful allegorical moments of meaning. In modern documentation the meaning is much less obvious, if it even exists at all. The meaning at times is very much in dispute.